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Nov 14, · È serbata a questo acciaro. L´amo tanto, e m´è sí cara. Dano Raffanti, Tebaldo. John Tomlinson, Lorenzo. Gwynne Howell, Capellio. Chorus & Orchestra of the Royal Opera House, Covent Garden.

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The sonics are very good, the balances are excellent. Best of all, the performance is outstanding. This recording of I Capuleti e i Montecchi is on a par with the best of the competition. For one of Bellini’s lesser-known works, I Capuleti has been very well represented by major studio recordings and a number of recordings made in performance.


The new recording of Bellini's "I Capuleti e I Montecchi" led by the remarkable Fabio Luisi is a stunner, immediately claiming its position at the top of the list of commercially available recordings of this opera/5(30). Bellini: I Capuleti e I Montecchi. Anna Netrebko (Giulietta), Elina Garanca (Romeo), Joseph Calleja (Tebaldo), Robert Gleadow (Lorenzo) & Tiziano Bracci (Capellio) Wiener Singakademie & Wiener Symphoniker, Fabio Luisi. Garanca is the best reason for cherishing this fine recording. There isn't a lyric mezzo-soprano who can currently hold a.
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A standing ovation for Netrebko and Garanča was awarded by some members of the audience, and the chance to see them perform with such charisma is certainly special. In many respects Bellini could be better served, I feel, and the production doesn't make for visceral theatre.

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I Capuleti e i Montecchi (The Capulets and the Montagues) is an Italian opera (Tragedia lirica) in two acts by Vincenzo libretto by Felice Romani was a reworking of the story of Romeo and Juliet for an opera by Nicola Vaccai called Giulietta e Romeo and based on the play of the same name by Luigi Scevola written in , thus an Italian source rather than taken directly from. Accoriam Romeo! Anna Netrebko, Elina Garanca, Joseph Calleja, Tiziano Bracci, Robert Gleadow, Wiener Symphoniker, Fabio Luisi, Wiener Singakademie.

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Back on the British stage six months after giving birth, the sensational Russian soprano Anna Netrebko was the chief attraction of the Royal Opera's staging of Bellini's I Capuleti e i. Fabio Biondi’s recording of I Capuleti e i Montecchi is the first to appear on period instruments. Caught in the dry acoustic of Rieti’s Teatro Flavio Vespasiano, there is plenty to please in Europa Galante’s performance, but also to infuriate in equal measure.

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Anna Yuryevna Netrebko (Russian: Анна Юрьевна Нетребко, born 18 September ) is a Russian operatic holds dual Russian and Austrian citizenships and resides in Vienna, Austria, and in New York is a frequent guest of the Metropolitan Opera, Vienna State Opera, Mariinsky Theatre, and Royal Opera House in London. Bellini’s masterpiece, first performed in – to Felice Romani’s story of love confronted by struggles for power – seamlessly incorporates large sections from a previously unsuccessful opera and, as did Rossini before him, Bellini calls for a mezzo-soprano in the male lead role.
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Bellini's I Capuleti e i Montecchi bears little resemblance to Shakespeare's Romeo and Juliet for a good reason; it's based not on the play but on a sixteenth century Italian story that Shakespeare also used source material. A hit for Bellini in the 's which faded away after a few decades of success, this version of Romeo and Juliet (not taken directly from Shakespeare but from an Italian play) was revived in and has been consistently performed since the 's: 2.

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